Marinero debates with the translator for some moments on the best way to explain; together they decide that it's enough to say the dance would sort of delete the Cursed altogether. While other methods seemed not to hurt the Cursed at all, or as they seemed to harm them, the Cursed would simply reshape, the dance would cause the cursed to flake away and disappear. It's the best Marinero can describe it, as he has only seen it a few times and it was very, very long ago in his youth.
When they danced, their joy and confidence would destroy those Cursed. But no matter what they did, more and more kept appearing, which is why the wall was built.
Marinero does seem to regret it; that was where his old home was, after all, and it isn't as though that land was unused. But the wall exists for the better.
...Marinero is not sure they need help from outsiders, but he can appreciate a dancer. He was not a bard or dancer himself, but his husband was before his death. If his husband were here, well, Marinero would be chastised if he refused Christine's good intentions. After all, wall or not, if they can get that dance in order... perhaps the very few Cursed that escaped could be handled as well.
no subject
When they danced, their joy and confidence would destroy those Cursed. But no matter what they did, more and more kept appearing, which is why the wall was built.
Marinero does seem to regret it; that was where his old home was, after all, and it isn't as though that land was unused. But the wall exists for the better.
...Marinero is not sure they need help from outsiders, but he can appreciate a dancer. He was not a bard or dancer himself, but his husband was before his death. If his husband were here, well, Marinero would be chastised if he refused Christine's good intentions. After all, wall or not, if they can get that dance in order... perhaps the very few Cursed that escaped could be handled as well.