Angus studies Sans (also very seriously) for a minute, as if trying to figure out whether this is also a joke. Ultimately it seems he determines that it's not, and gives a sharp nod.
"I — people say I don't have very good social skulls! But I'll work harder not to hyoid my feelings!!"
Hiding them wasn't really the issue, but the pun was important?
Anyway. He turns his drying eyes back to the mural — no pieces of which pop out, unfortunately. From left to right, three scenes appear in the mural: the woman and the monster, the woman in the thorns, and the monster in the book. They aren't the only scenes, but they're the main ones, dominating the mural. Glancing briefly at some of the others, Angus finds his eyes drawn back to the first scene: the woman and the monster.
"I . . . I really feel like this one comes first, sir, but I don't know why. It's so frustrating! I can't remember, but I know it! There's got to be more information here somewhere . . . !"
no subject
Hm.
Angus studies Sans (also very seriously) for a minute, as if trying to figure out whether this is also a joke. Ultimately it seems he determines that it's not, and gives a sharp nod.
"I — people say I don't have very good social skulls! But I'll work harder not to hyoid my feelings!!"
Hiding them wasn't really the issue, but the pun was important?
Anyway. He turns his drying eyes back to the mural — no pieces of which pop out, unfortunately. From left to right, three scenes appear in the mural: the woman and the monster, the woman in the thorns, and the monster in the book. They aren't the only scenes, but they're the main ones, dominating the mural. Glancing briefly at some of the others, Angus finds his eyes drawn back to the first scene: the woman and the monster.
"I . . . I really feel like this one comes first, sir, but I don't know why. It's so frustrating! I can't remember, but I know it! There's got to be more information here somewhere . . . !"