KV appreciates the respect of their privacy! They chuckle to themselves seeing their name all written out like that. They tell Sans they'll give him a signal if anything is starting to go wrong, but for the most part it doesn't seem as though disturbing the files seems to have an effect on what makes up KV— perhaps that's the reason those personal files are locked up so tight.

For the sake of it being easier to read, let's go over what's in that EDITS file first:

There's just a word document here, though the file format is just ".UN"

The word document seem to be just a bunch of garbled rubbish in multiple languages, including ones that may or may not be familiar to Sans, Sayori, and other reclaimers. For some reason, they do not translate automatically with the bracer. If either of them comprehend the other languages involved, they reflect the same patterns as the messages that can be read in common.

Among the phrases written in common are:

"DEVELOP NEW THREADS", "BONDS BECOME THREAD", "WEAVE FROM OUTSIDE". "DOWNLOAD," "OPEN," "ABORT," and "SAVE" are strewn throughout the document.

A specific portion says "ABORT ABORT ABORT. DO NOT DOWNLOAD CORRUPT DATA. ABORT ABORT."

Still more phrases stick out: "STOP THE SPREAD. FIREWALL. GOLD WALL. BUILD A WALL." "SECONDS TO MINUTES TO HOURS TO DAYS TO WEEKS TO MONTHS." "HUNGER." "RE-WRITE."

"WHO IS JOHN?" "WHY IS JOHN HERE?" "FIX THE JOHN WALL."

there also appear to be a few recorded glitch fixes, but the dates are not written in a format that corresponds to Faerun's calendar.

Four videos are highlighted in the list of videos they examine. When each video is clicked, the file is duplicated and sent to the entire Bureau's bracers. Their icons change into a little pixellated icon of... a jellyfish? Is that what that is..?


LUCRETIA.VID

The screen plays a recording of a memory.


Lucretia is standing, surrounded by group of folks in red robes. She herself is clad in a red robe, though the viewer can only infer this from Lucretia's own point of view. Most of the faces are unrecognizable to Sans and Sayori, save a few select faces;

the face of the Elf woman in the umbrella that Sans saw before, Barry Bluejeans, Davenport himself, and Maureen, Lucas Miller's mother. The other figures are an elf man that looks remarkably similar to the woman, a dwarf with an impressive beard, and an absolute hulk of a human man.

The elf woman reaches out to touch Lucretia's shoulder, and Lucretia looks at her. The woman's face is so kind as she addresses Lucretia's worry.

"This will work, you have to believe in me," she assures. "And if it doesn't— if dividing the Light of Creation into these relics doesn't work, then we will try your method.

But please, Lucretia. Just give this a chance. Believe in us."

The recording swaps.

Lucretia stands in front of a mirror— no, the mirror—, reaching forward.

"Please," she pleads, stifling a sob, voice riddled with anguish. "I need help. I need more time. I—

I can't do this without them.

Not again."


The recording ends.

LUP.VID

The elf woman sits across from the identical elf man she was with in the prior video. She's looking at her lap, though, only seeing the man's knees close to hers, like their limbs are a bridge between them that almost doesn't meet.

"You didn't mean for any of this to happen." He says to her.

"I know that. And I know it's good. Like, the Hunger's not here, and the hunger's worse than anything we've done. I just... I can't help but ask."

She looks the elf man across from her in the eye.

"Did we make the right decision?"

The elf man's brows knit together and he takes a breath.

"...Who knows if the shield would have worked. You know... sometimes, there aren't right decisions. Sometimes there's just decisions."

The recording ends.

CURSED.VID

From the perspective of someone nearby, you watch as the dwarf from the prior video is confronted by a hooded figure.

"Now, I don't know what you're talking about," comes his rough voice. "If you're hungry, well, the tavern just across the street has the most amazing-"

His voice is cut off as a hand reaches out from the robes and grasps the dwarf around the neck. The hand is made of black opal, and as black tendrils reach out to stab into the dwarf, the dwarf's own eyes turn black as well.

The recording swaps to the vision of a more recent Lucretia.
It's the Lucretia Sayori and Sans recall, in her current age and current outfit, or at least what she wore regularly before candlenights.

The view remains concentrated on Lucretia, but passing as if unnoticed by the recording, a shock of black shoots up through Lucretia's staff very suddenly.

"Are you alright, Johann?" Lucretia asks, raising a brow, looking genuinely concerned.

The view shakes as if the person whose memory this is has shaken their head, slowly.

"It's nothing, m'am..."

The recording ends.

CANDLENIGHTS.VID

This memory seems to come from a shorter stature as well. IT's the Moon Base as it stood in Faerun, and a child's hand— Angus's hand— reaches out to push the door open. Anyone who has visited the Voidfish's chambers after hours may recognise the room he enters.

"Madame Director? Are you in here?" he calls out.

The memory patches in as if it's skipped a bit, and now the scene becomes more clear.

Lucretia stands in the middle of the room, hunched over herself, clutching her head with one hand and the staff with the other. Davenport stands at her side, and there are other Reclaimers— Reclaimers that may be recognized as a handful those who haven't appeared yet on the island— around, as well as some Seekers and guards.

"You have to leave," Lucretia demands, her voice cracking as if with pain.

"M'am, you have to listen to-"

"Now! There is no more time for listening!"

Lucretia shouts, her voice like venom. When she looks up, her eyes have turned completely black.

"I can't... I can't hold it back anymore,"

"Not without us!" Angus asserts. "You can-- let us help you!"

"You don't understand! There is no more hope! There is nothing! Even if you leave— this is the end!"

All of a sudden, thorns shoot out of Lucretia's staff, which has turned completely into black opal. The thorned vines that shoot from Lucretia's heart and staff are all that black opal material, too, and they shoot out in every direction, grasping and curling around everyone in the room, Reclaimers and Seekers alike. Even Angus is caught in the vines.

He catches Lucretia's face again, watching as it wrenches in despair, black eyes still crying real, human tears.

"I'm sorry," Lucretia chokes. "This is all I can do."

Even more tendrils extend, wrapping around Lucretia herself, consuming her, devouring her. Angus reaches out, but those vines are starting to consume everything around them as well. Outside of the dome, the sound of a storm begins to ring, amplifying the terror of the moment.

Angus reaches out, trying to free himself from the tendrils, reaching for the hand of a dragonborn woman before a thorny vine tears her away from him.

He loses his balance, tumbling down a few more branches, and when he's finally stopped tumbling he looks around to see a book has fallen out of his bag.

CALEB CLEVELAND AND THE IMAGINARY ISLAND, bears the book's title, but its cover is gilded and shining.

A voice completely unlike the voice heard on the island calls out directly from the book's pages; the voice of a Relic.

"Use me. Save yourself. Save everyone."

Angus reaches out and grabs the book.


The recording ends.

As they finish watching, KV looks toward Sans and Sayori, speechless.

"Those aren't my memories," they confirm.

"These look like administrator files."